An Old Contemporary Pop Art Debate – Art, Business, or Money

March 31st, 2010

I just returned from a fantastic tour in Japan! I’m exhausted from signing but thrilled that i got to meet so many people while i was there.

 

This morning, I read with great interest a blog posting today on ARTicles, “The blog of the National Arts Journalism Program.” It made me think…I wanted to write a blog posting in response, so I turned to my assistant Julie for some words. She’s a little better writer than I am…so here’s what we came up with together:

 

Sometimes I blessedly forget that what I do everyday is actually a business. I’m lucky to be able to create my artwork, meet my collectors, travel the world, and enjoy the activity of BEING AN ARTIST every day of my life. And then I come across articles and blog postings like this one by Peter Plagens on the ARTicles blog and it snaps me back to reality. He critiques an underground DVD made by legendary Time Magazine Art Critic Robert Hughes titled “The Mona Lisa Curse.” To oversimplify Hughes’s argument (and I urge you to read the entire blog for yourself), he believes that the touring of the Mona Lisa at the MOMA in 1963 was the beginning of the downfall of the art industry…the descent into what he considers to be the over-excesses, decadence, and greed that some feel dominate the contemporary art world.  The Mona Lisa exhibit brought the appreciate of art down to the masses and the masses appreciate the “appearance” of talent and the “popularity” of talent more than the talent itself, giving rise to today’s somewhat exploitative contemporary art world.  Mind you, this isn’t MY argument….just Hughes’s.

 

While to some extent I agree with Hughes…many contemporary artists are “made” by their sponsors…wealthy clients and gallery owners who, for some reason, decide to back them and elevate their reputations among their own social circles. However, this really isn’t anything new, as Plagens points out.  Societal power players have always used the arts as a way to elevate their own status. Kings, Pharoahs, the Church, etc…all patronized the arts, their blessings essentially “making the careers” of artists throughout history.

 

So, when you look at today’s anointed contemporary art royalty (ie. Damien Hirst and his diamond-encrusted skulls and Jeff Koons with his flowered dogs and such), try to evaluate them for the artists they are. If you like sharks in formaldehyde for their artistic merit, then that’s art to you. But, it’s sometimes difficult to separate them from their own showmanship. And remember that they are part of a long historical line of “sponsored” artists who transcended their own art to become more popular icon than artist.

 

So, back to the “business” end of art. Hughes tries to make the claim that the trends in contemporary art are new – the spending of millions of dollars on Warhol, Pollock, and Hirst work at auction. It’s not new at all. Art has always been a business, with the owners of expensive artwork viewed in the same vein as owners of expensive cars and expensive jewelry and expensive homes. Art is often a status symbol and in the end, I think THAT is what Hughes is really criticizing.

 

That’s where I agree with him. I am an artist. I love what I do and I am lucky to be able to do it for a living. There are so many talented artists in the world who never get that opportunity. But it’s my hope that people enjoy my art based on its merits…that  they get pure enjoyment out of it. That it touches an emotional place and allows people to see themselves in my work.  To me, THAT’s what contemporary art and pop  art is all about. So, while I’m often considered to be a part of that contemporary art BUSINESS, I’m really just an artist…trying to express the world around me in the best way that I know how. And I hope you enjoy it!

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Is There More to Life than Pop Art?

October 6th, 2009

Read Jonathan Jones’s art blog today- http://bit.ly/3EP2c4 I cruise the art blogs every now and then. Pop art is a hot topic right now because of the Pop Life exhibition currently going on at the Tate Modern in London. I blogged about that a few days ago. I hope to have the chance to go see it when i’m in London next week.

 

In the meantime, Jonathan Jones’s take on the status of pop and contemporary art, while only one man’s opinion, is all too often true. There’s a lot of “crap” out there. The term “pop art” has morphed and changed and become a catch-all phrase for so many different kinds of art…some i wouldn’t even classify as art. And the museum circuit contributes to this “pulling the wool over our eyes” mentality in the art world. 

 

 I recently went to an exhibit in a well-known contemporary art museum. The exhibit was a conference room you could walk into. There was a big empty boardroom-type table with 8 chairs and by each chair was a telephone. You could sit in the chairs and pick up the recievers of the telephone and listen to different recorded messages. I was stunned. The point, it turns out, was for this exhibit to be a social commentary on the state of our working world today. Everything is recorded. Everything is electronic. You can’t get a real human being on the phone. Ok. So, yes, that’s definitely something unique about contemporary society. We should take notice of it…we should talk about what it’s doing to human communication. But a museum exhibit??? Really?

 

There’s too much blurring today between idea and execution. What happened to painting and drawing. and creativity…perspective….composition…the subtleties of color. A table, 8 chairs, and some telephones? Great idea. No execution. Definitely gives you something to think about, but is it art?

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ABC’s of Pop Art…F is for Fazzino!

October 1st, 2009

I came across this article in The Independent earlier this week …http://bit.ly/12lIaT….i absolutely love it! It’s one of the best summaries i’ve ever seen about the history and significance of pop art.  It was written to coincide with a new exhibition at the Tate Modern  in London – Pop Life: Art in a Material World. Like most of the important pop art exhibitions today, this show features the “fathers” of the pop art movement….Andy Warhol and Roy Lichtenstein…and the next generation of pop art legends such as Damien Hurst and Jeff Koons.

 

My art and that of several of my contemporaries, is often classified as pop art. I refer to myself as a three-dimensional pop artist. I have watched the careers and reputations of the likes of Hirst, Koons, and Takashi Murakami grow and blossom…museum-quality artists all. The best of the breed. I am hoping to follow in their footsteps and the next time someone goes through the ABC’s of pop art…i can only hope that “F” will stand for FAZZINO! :-)

 

However, i think that the definition of pop art has changed somewhat. Like everything else, it has morphed and evolved.  Andy Warhol DID say “Good business is the best art.” American pop art was born of the intention of artists like Warhol and Lichtenstein to exploit what was popular in their day…to imortalize everyday elements and turn them into icons….and they did. Today, however, pop art is more than that…it’s become a way for artists to, quite literally, celebrate everything about popular culture…to tell the story of how people live…what they do…how they spend their time….what their world looks and feels and sounds like. That’s what MY pop art is….when looked at in it’s entirety someday, i hope that people will be able to see that i am, in a sense, a historian…capturing current events, both newsworthy and otherwise, for eternity. My art tells the story….I thank everyone who stops to read it!

 

–Charles

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The Salvador Dalí Museum

February 10th, 2009

So, despite the chaos of Super Bowl week, i was able to sneak away for a few hours to visit the Salvador Dalí Museum in St. Petersburg. I highly recommend it. My Art Director Jaime and Gallery Director Carol took a drive over the LONG bridge to St. Pete. I was impressed by the sheer scale of so many of Dalí’s paintings. And i was pleased to see that the evil influences that took over his print market in the 1980's did nothing to dimminish his reputation and legacy. He was so far ahead of his time and in fact, his work is virtually timeless. The museum was full of original works, many of which had never been seen anywhere else before. His work reflected his eccentricities and his deep desire to be unique and to carve out his own niche in the world. I feel an affinity with Dalí, the artist…if not with Dalí, the man. I am driven to carve out my own place in artistic history and to create a body of work that reflects the tone of the times in which I am living…, but as those of you who know me can attest, i am definitely NOT eccentric. Actually, i'm pretty boring. :-)

Dalí is an inspiration to artists today. His vision of the world…the way he literally stretches the boundaries of reality, but at the same time tells the story of his world…gives us a goal to reach for. Communicating an idea…a feeling…a concept through a painting…there was nobody better than Dalí.

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Andy Warhol Prince of Pop

November 1st, 2008

I was reading a great blog entry last week about Andy Warhol and a biography written about him, Andy Warhol Prince of Pop. The author wrote:

Andy Warhol is inseparable from American Pop Art – an art movement that started in the 1960s and continues today. What made Warhol famous over and above other Pop artists (such as Roy Lichtenstein, Tom Wasselmann, James Rosenquist, Claes Oldenburg) was his application of this art form into media such as advertising, design, books, films, TV production and fashion. Besides, when other famous Abstract Expressionist artists of the time (such as Jackson Pollock, Mark Rothko) remained true to their oeuvre, Warhol shamelessly experimented with different media, form and content, extending the boundaries to establish his own style and standards not only on Pop Art, but also on contemporary American culture.

Andy Warhol is often referred to as the Father of the Pop Art Movement, which began in the 1960's. My first exposure to Andy Warhol's work….other than the famous soup can paintings….was his 3D movies in the 1970's….Andy Warhol's Dracula was a personal favorite. He was so avant garde in his film making. His sense of feeling wasn't like any movie i had ever seen before…very dark with strong sexual overtones. Very interesting for a movie about Dracula.

I think that what made Andy Warhol so incredibly special was how he was able to move into so many worlds with his artwork….very similar what Robert Rauschenberg accomplished but even more so. Warhol was into art, films, fashion, architecture, and advertising. His influence permeated every facet of popular American culture. He was a newsmaker and a celebrity presence.

What is amazing for me as an artist is to note the way that he was able to apply himself with equal energy to so many pursuits. For me, just creating the artwork that i create is all-absorbing. It's all i think about and all i do. It takes a great deal of energy. I can't imagine how much energy and focus it took for him to express himself in so many different ways.

I was once asked whether or not i was part of the next generation of pop artists, carrying on the work of Warhol, Rauschenberg, Rosenquist, etc. It's a hard question to answer. I look at how many of those artists were considered commercial and today are revered as famous fine artists. Sometimes i feel like i am going in that direction too – i hope so. I do believe that i and my contemporaries are the next generation in a sense…maybe i unconsciously feel an obligation to carry on the movement…but that makes it sound too important. It's not something i think about very often because it's too much pressure and i'm just not there yet. I ASPIRE to be considered the “next generation” and to have that responsibility…but only time will tell if that's how my work is seen.

–Charles

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The Loss of Robert Rauschenberg

August 1st, 2008

I know i'm a little late commenting on the death of the great Robert Rauschenberg, but someone mentioned his name to me today and it got me thinking…His death in May was a big loss to the art community. He was one of the few artists who successfully worked in and was influential in so many different media. He was a painter, a sculptor, a filmmaker….and even an entrepreneur. He was similar to other artists of his generation in that he took every day items – even junk – and made them into art. He was at the forefront of the whole pop art movement to which I claim to be a part.

Admittedly, I was never a huge fan of his paintings but I know how impactful he was to the way the world views artists of all types. He was eye-opening and so important because of what he was able to acccomplish during his life. You see that a lot more now….artists evolving their work into different media. Rem Koolhaas is another great example…he's a fantastic artist who has made an incredible name for himself in architecture. His work is just amazing.

As a 3D pop artist, I always aspire to work in different media and so far, i've tackled painting, sculpture, children's books, and I guess entrepreneurship…..someday maybe i'll try filmmaking.

Goodbye Robert….and thank you!

–Charles

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I Love the Work of Red Grooms

June 11th, 2008

I recently had the chance to see the Red Grooms exhibit at the Hudson River Museum here in Yonkers, NY. I first saw his work about twenty years ago at an exhibition inside Manhattan's GranRed Groomsd Central Station. I was amazed by the scale of his pieces. They reminded my of my own pieces but they were huge – life size actually, and in sculpture form. You could walk right into them. I've loved his work ever since. The closest I have come so far to creating that kind of feel with my work was a project I completed for the Newark Beth Israel Medical Center. My original works were incorporated into the design of a new Childrens' wing with big sculptures, furniture, and architecture…all based on my art. I'd love to do more of that.

Here are some links you can explore:

Red Grooms on Wikipedia
The Hudson River Museum

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